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Genuine Fake Premium Economy review – brilliantly obnoxious millennial rage at a rigged financial world

The Guardian · Art_design 42m ago

Top stories

Venice Biennale Jury Resigns

Hyperallergic 53m ago

It’s Possible to Learn in Our Sleep. Should We?

The New Yorker 53m ago

“Heated Rivalry” and Its Wine-Mom Fans Reunite

The New Yorker 53m ago

After His Untimely Death, Rutherford Chang’s Survey Rewrites What a Square Can Do

ARTnews 1h ago

Culture coverage

Trevor Paglen’s New Book Says AI Is Rewriting What Images Do

ARTnews · Culture 1h ago

As a schoolboy, I was dazzled by the Festival of Britain in 1951 – but it revealed a divided nation | Michael Billington

The Guardian · Art_design 3h ago

Week in wildlife: a clever orangutan, a cheeky frog and a dramatic whale rescue

The Guardian · Art_design 3h ago

US National Gallery of Art receives $116m gift to continue nationwide lending programme

The Art Newspaper · Culture 3h ago

Museo de Arte Moderno de Bogotá's director departs amid accusations she harassed staff

The Art Newspaper · Culture 3h ago

Man who pocketed tiles from medieval priory as boy returns them 60 years later

The Guardian · Art_design 5h ago

Charles and Donald See Eye to Eye

The New Yorker · Culture 8h ago

Tania Bruguera on Why Today’s Art Must Be Political

Hyperallergic · Culture 12h ago

An Art Fair for the "Global Majority" Debuts in Brooklyn

Hyperallergic · Culture 12h ago

Auctioneer Kimberly Pirtle Leaves Sotheby’s to Launch Hybrid Art-Philanthropy Advisory

ARTnews · Culture 13h ago